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Secondly, the fresh narrator’s spouse is actually deeply affiliated with new river: “Derriere los angeles porte l’homme que raime se tient

Secondly, the fresh narrator’s spouse is actually deeply affiliated with new river: “Derriere los angeles porte l’homme que raime se tient

Instantaneously afterwards, the fresh new narrator arrives through to some other photos, one that’s currently familiar toward reader since it has been delivered, this new pictures that her companion took of the link over the Adour

(fourteen.) Get a hold of La Chambre claire: “Toute photographic est us certificat de- presence. Le certificat est ce gene nouveau que man creativity good introduit dans la famille de l’ensemble des images” (135).

One symmetry scratches Property Chagrin indelibly, and the point upon which it hinges is the lake by itself. For the reason that direction, it will be the lake which guarantees with the rest of Cosnay’s landscape, conceived each other actually and you may figuratively. Because the narrator tells the storyline off Bram van Velde, particularly, new situations and stories she will bring capture the input a great chronology the lake certifies, compliment of metaphor. Also, when you look at the contemplating the fresh lake, the brand new narrator becomes confident out-of a wider existential training, the one that could have searched apparent from the start, but whose the fact is so trivially conspicuous which demands verification during the a further peak: “Los angeles participate passe effectivement” (62). The new river perceives each of the narrator’s gestures, and you can functions as a great mute experience so you’re able to the girl points along with her advice. It observes the girl one another due to the fact she acts Lethbridge local hookup and as she refuses to behave: “Je viens au money de l’ensemble des boulevards Alsace-Lorraine mais aussi Jean-Jaures, low loin de l’Adour ainsi que low loin de chez moi. J’ai jete les photographs prises par l’homme que j’aime, je me suis allongee, victime de- paludisme peut-etre, de- tremblements nouveaux, je myself suis allongee dans le soleil qui regardait l’Adour, j’y suis, c’est ce second. Jamais encore” (56).

In the modern time of this lady story, Cosnay tells away from her very own inquiry to your one to laws as well as historic products:

Even though the previous couple evolves in the current, given that latter are restricted with the early in the day, Bram and you can Marthe have a great bargain far more story flesh on their skeleton than carry out the narrator together with guy she enjoys

The latest chagrin one to Cosnay invokes in her study of for the last try profusely echoed in the modern, and you may rather inside a statistic known only just like the “Pierre M.” The new narrator claims him once the a pal, and you may refers to your while the a man whoever stress turned out, in the course of time, unbearable. The first time they are said about text message, Cosnay bets towards the understatement and savings off phrase so you can display how big is their suffering: “Ce 27 aout 2003, Pierre Yards. s’est donne los angeles mort dans boy appartement de los angeles rue Saint-Maur. Apres united nations sejour dentro de hopital psychiatrique, il tenta de- choisir ce performed” (18). The crisis are their, definitely; but it is not their alone. For this afflicts the brand new narrator too. She imagines you to definitely she observes him, annually and a half immediately following his death, taking walks towards the far bank of your own Adour (18). She recalls gazing at the the lady friend’s deceased human body, a human anatomy all of a sudden rendered “transparent” by dying (50). She states one to Pierre M. was an author, and that during the night ahead of the guy enough time committing suicide the guy had written regarding extremely problem out-of creating (42). Contemplating his demise, there is one thing your narrator perceives really certainly indeed: “J’ai vu, concrete, ma mort” (18). In short, the new narrator finds out herself shown inside Pierre Yards., and his suffering is actually specific experience an echo from the girl own.

Inside reflecting up on it profile and his awesome character from the unique, three factors have earned to be indexed. Earliest, Cosnay invites the lady audience to compare the couple your narrator and this son function on the couples authored by Bram van Velde and you may Marthe Arnaud-Kuntz. It’s a point of focus definitely, as well as your options attendant up on diegetic prominencing; but it’s together with sure right up regarding the challenge the narrator enjoy in seeing by herself and her condition, problems one to gets very conspicuous regarding mirror views. Je n’ai rien dit de lui, si ce n’est pas qu’il fait ce journey de l’ensemble des villes suivant ce ruban de- l’eau parmi les rues etroites ainsi que bien contournant les enormes epingles de l’ensemble des vastes surfaces bleues surmontees d’un pont inattendue, rouge, put ou ancien, qui forme de l’ensemble des arcs sous quoi vont les peniches” (29). Always in the actions, never ever fixed, the guy is really as tough to grab as Adour by itself. Yet identical to you to lake he occupies a blessed, main put, in brand new narrator’s real-world plus in the only she imagines. Ultimately, so it guy suits new narrator as the an issue of site, enabling their to get her very own subjectivity on the test: “Que lui (l’aime, l’autre) soit objet ou bien que je ce sois: meme tentation d’incertitude, flottement d’identite” (61). You to definitely craft makes up a lot of what takes place within this book, in addition to narrator’s battles is patently among the lenses due to and that Marie Cosnay invites us to echo through to chagrin as well as the various shapes it goes in.

Cosnay underscores over repeatedly the difficulty of relations away from the picture while the word, and this situation subtends much of just what House Chagrin needs to say on art and its spends. “Je vais venir, j’y viens,” she ensures all of us, “An effective mon thi?me, bien au point d’incidence” (51), and absolutely one of many items that title designates was a great webpages in which the verbal while the graphic meet and meld, due to the fact do the currents when you look at the a lake. It is an internet site you to definitely remains right above the panorama, continuously deferred and not quite hit. For the passage regarding photo so you can term–or off keyword in order to visualize, for example–will never performed inside a completely sufficient trend, based on Cosnay, are overall you’ll.

This new parable you to Cosnay drawings right here has a lot to say about the process one to she deploys inside her novel, of these techniques is profoundly sure up regarding concept of brand new gaze. In the section of Villa Chagrin called “Image 2,” Cosnay now offers a different parable centered up on the brand new photo photo, explicitly and you may overtly casting they now on the construction of a story, because the narrative. “Il y avait cette histoire de l’autre picture,” says the newest narrator, “ainsi que de quelque visualize it is possible to, vue par l’autre, une fois, superbement. [. ] Los angeles photo parfaite de toute femme direct, belle, blanche, reconnaissable, de sexe mais aussi de cheveux prouvait qu’enfin quelque chosen avait ete visible” (48). One to picture is actually a foundational that to own House Chagrin insofar since they captures the principal web site of your novel’s topography. It’s innocent sufficient, due to the fact photos wade, and yet it’s subtended–a little actually in such a case–by other photos which might be way more frustrating:

(thirteen.) Find such as for instance “Le fifteen novembre je suis malade, avec de l’ensemble des reves apeures de separation puis de victoire finale et celle-ci, dentro de fin de direction, rendent courage. La concern direct concerne los angeles in addition to grande qualite, la along with bonne certitude des events los cuales l’on ne voit jamais” (9); “Ce suc du corps n’est along with, dirait Ovide. Il soit l’image good tirer de- cela, les lignes a good voir derriere ce qu’on ne voit jamais” (38); and you will “Sur chacune des lettres de dessine le qu’on ne voit pas” (73).

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